In the first example, the opening of the second movement of Beethoven’s Symphony No. Study and listen to these common contexts for second inversion triads. In second inversion triads, the two lowest pitches will form the larger interval. In major and minor triads, the fourth will be perfect in diminished triads, it will be an augmented fourth. If you are confused, listen carefully for the presence of the larger interval – the fourth. In the early stages of chord and inversion identification, learners often confuse 6/3 and 6/4 triads. The famous trumpet solo from Stravinsky’s Petrushka outlines a major triad in first inversion.
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